RECORDINGS

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SEE ALSO

AVAILABLE SCORES:
Symphony No 6 "Plutonian Ode" at ChesterNovello.com

RELATED RECORDINGS:
Symphony No. 6 on Orange Mountain Music

CATEGORIES:
Orchestral

Symphony No. 6 "Plutonian Ode"

(2002) 45'

Music by Philip Glass. Text by Allen Ginsberg.

CAST:
Soprano and Orchestra: 2 + pic.2.2 + Ebcl + bcl.2/432 + btbn.1/timp.perc/hp.pf.cel/str

COMMISSION:
Brucknerhaus Linz and Carnegie Hall in honor of Philip Glass' 65th birthday

PREMIERE:
February 3, 2002 at Carnegie Hall in New York City (USA) by American Composers Orchestra and soprano Lauren Flanigan conducted by Dennis Russell Davies

NOTES:
During the last ten years of Allen's life we had performed frequently together in poetry/music collaborations. Allen was a superb reader of his own work and I was often inspired to compose new piano music for these occasional collaborations. In the case of Hydrogen Jukebox, we developed an evening length "opera" which was designed by Jerome Sirlin and directed by Ann Carlson. We presented that work in over 30 cities as part of an international tour.

It had been our plan to make a new, major collaboration based on his epic poem Plutonium Ode (1978). Before he died in 1997, Allen had made several recordings for me of the poem in preparation for the new work. At that time I had in mind simply an extended piano work to accompany Allen in live performance. I put aside the project in 1997, feeling that I wouldn't want to go ahead without Allen.

A few years past and the commission of a new symphony from Carnegie Hall and the Brucknerhaus Linz reawakened my interest in the project. I felt, then, that Plutonium Ode was unfinished business between Allen and myself and this would be the opportunity to complete it. By then, the piano music I had originally imagined had grown to a full orchestra and Allen's resonant speaking voice to a lyric soprano.

The three movements of the symphony follow the three parts of the poem, and follow, also, the passage of the poem-the first movement a passionate outcry against nuclear contamination and pollution, the second a turn towards healing, and the final movement an epiphany arrived at through personal transformation.

— Philip Glass

PUBLISHER:
Dunvagen Music Publishers
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