Film Music Screencraft by Mark Russell
Music by Philip Glass
String quartets performed by The Kronos Quartet
Michael Riesman, Conductor
|2.||November 25: morning||4:08|
|3.||1934: grandmother & Kimitake||3:37|
|4.||Temple of the golden pavilion ("like some enormous music")||3:06|
|5.||Osamu's Theme: Kyoko's house||2:58|
|6.||1937: Saint Sebastian|
|7.||Kyoko's house ("stage blood is not enough")||5:00|
|8.||November 25: Ichigaya||2:11|
|9.||1957: award montage||3:56|
|10.||Runaway horses ("poetry written with a splash of blood")||9:09|
|11.||1962: body building||1:29|
|12.||November 25: the last day||1:30|
|13.||F-104: epilogue from Sun and Steel||1:59|
Over the last fifteen years, Philip Glass has defined a new form of biographical opera. There was never any doubt that he would be the ideal composer for Mishima, a mosaic film biography. I wanted a score which would unite the film's disparate elements and propel it forward. Such a score, by definition, would be a distinct, cohesive composition.
I only wondered how to induce Glass. Money was out of the question: the film was already an egregiously under-budgeted labor of love production. I opted for a soft sell. (I've subsequently learned how remarkably resistant Philip is to a hard one.) I simply gave him the script and all the materials by and about Mishima at my disposal.
Philip responded enthusiastically and after several pre-production meetings and a trip to the Tokyo locations, wrote a score from the script as he would from a libretto. With Kurt Munkacsi and Michael Riesman he recorded a temp synthesizer version.
I edited the film to this temp score, altering it as necessary: cutting, expanding and repeating cues. I then played the edited film and score for Philip. He rewrote the music to fit the film's now-precise specifications and recorded it with a full orchestra. Later, he supervised last-minute changes during the final mix.
In keeping with the original concept, Glass has re-edited the score as a distinct musical entity. His Mishima equally serves the film and stands alone.
— Paul Schrader
Original music composed by Philip Glass. Conducted by Michael Riesman. String quartets performed by The Kronos Quartet: David Harrington, violin. John Sherba, violin. Hank Dutt, viola. Joan Jeanrenaud, cello.
Produced by Kurt Munkacsi for Euphorbia Productions, Ltd. NY, NY. Recording engineer: Dan Dryden, Assistant: Don Christensen. Recorded at: Greene St. Studios NY, NY and The Living Room Inc. NY, NY. Remixed by: Dan Dryden, Kurt Munkacsi, Michael Riesman. Remixed at: The Living Room, Inc. NY, NY. Contractor for the musicians: Earl Shendell. Mastered by: Bill Kipper, Masterdisk, NY, NY.
Album art direction: Eiko Ishioka. Photo: Sukita. Album design: Makoto Kumakura.
Published by Dunvagen Music Publishers, Inc. (ASCAP). © 1985 Nonesuch Records.