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SEE ALSO
RELATED FILMS
No Reservations
RELATED RECORDINGS:
Philip Glass Soundtracks - Michael Riesman
No Reservations (Original Soundtrack)
(2007)
Music by Philip Glass & Various Artists
CATALOG:
Decca
TRACKS:
1. Truffles And Quail - Conrad Pope
2. Sway - Michael Buble
3. Celeste Aida - Luciano Pavarotti
4. O Mio Babbino Caro - Renata Tebaldi
5. Zoe & Kate Watch Video - Phillip Glass
6. Libiamo Libiamo - Joan Sutherland
7. Via Con Me - Paolo Conte
8. La Donna E 'Mobile - Joseph Calleja
9. Un Bel Di 'Vedremo - Renata Tebaldi
10. Zoe Goes To the Restaurant - Phillip Glass
11. Cielo E Mar - Luciano Pavarotti
12. Mambo Gelato - Ray Gelato
13. Nessun Dorma - Luciano Pavarotti
14. Count On My Love - Liz Phair
SYNOPSIS
Kate (Catherine Zeta-Jones) is the master chef at the trendy 22 Bleecker Street
Restaurant in Manhattan. She runs her kitchen at a rapid pace as she coordinates
the making and preparing of all the fantastic meals and personally displays
the food to perfection on every dish. She intimidates everyone around her,
so her boss sends her to therapy. Kate hates to leave the kitchen when a
customer wants to compliment her on one of her special dishes, but she is
ready to leave the kitchen in a second when a customer insults her cooking.
Kates sister is killed in a car accident and her nine-year old daughter Zoe
(Abigail Breslin) moves in with Kate. With all of Kates problems, the boss
hires a new chef to join the staff. Nick (Aaron Eckhart) is a rising star
in his own right and could be the head chef of another restaurant, but he
wants to work under Kate. Kate begins to feel threatened by Nick, because
he has a different style of running the kitchen. Nick loves to listen to
opera when he cooks and to make the staff laugh. With all that is going on
in Kates life, falling for a man is the last thing she was looking for. There
is some kind of chemistry between Kate and Nick that can only go one way.
Yet life will hit her in the head when Kates boss offers Nick the head chef
job.
© 2007 Dunvagen Music Publishers, Inc.
